Canon RF 24-105mm F2.8 Z Review: Who is this lens for?
When it comes to choosing a lens, we’re all looking for that perfect combination of versatility, image quality, and performance. The Canon RF 24-105mm F2.8 L IS Z lens promises to deliver just that. But does it live up to the hype?
After putting this lens through its paces during events, commercial shoots, and more, I’ve uncovered everything you need to know before deciding if this is the right investment for your filmmaking toolkit.
Let’s dive into what makes this lens stand out, the challenges it presents, and who it’s best suited for.
Why This Lens Could Be a Game-Changer
1. Versatility That Stands Out
With a focal range covering 24mm to 105mm, this lens combines five prime focal lengths into one. Whether you’re shooting wide establishing shots, intimate portraits, or capturing subjects from a distance, the 24-105mm range gives you options for nearly every scenario.
24mm: Great for wide establishing shots.
35mm: Perfect for environmental portraits.
50-70mm: Ideal for capturing true-to-life details.
85mm: A magical choice for portraits with beautiful background separation.
105mm: Excellent for distant subjects, from wildlife to landscape details.
This flexibility means fewer lens swaps and more time focused on your craft.
Performance Highlights
2. Constant F2.8 Aperture: A First for Its Class
The Canon RF 24-105mm F2.8 L IS Z lens is the first of its kind to feature a constant F2.8 aperture across its entire focal range. This gives you:
Better low-light performance: Shoot confidently in darker conditions without cranking your ISO.
Enhanced background blur: Even at 24mm, you can achieve stunning bokeh that isolates your subject beautifully.
Whether you’re filming events, commercial projects, or night scenes, this aperture delivers impressive results.
The Trade-Offs: Size and Weight
While the lens performs admirably, it does come with some challenges:
Weight: At 2.9 lbs (1.3 kg), this is not a lightweight lens. Extended handheld shoots might tire you out, especially if you’re not accustomed to heavier setups.
Size: Its 7.8-inch length is noticeable, making it less discreet. However, it still balances well on professional gimbals like the DJI RS4 Pro.
If portability and stealth are top priorities, this lens may not fit the bill.
Built for Professionals
3. Thoughtful Design Features
Canon has equipped this lens with tools for both photographers and filmmakers:
Customizable Buttons: Assign frequently used features for quick access. There are two buttons on the lens. One is at the top, and the other is on the left hand side of the lens.
Image Stabilization (IS): This lens has amazing image stabilization, especially when paired with a camera body with IBIS.
This lens comes with three modes for capturing smooth footage:Mode 1: General stabilization for handheld shooting. Adjusts stabilization for pitch, yaw, and panning.
Mode 2: Designed for panning shots, perfect for sports or wildlife. This mode only adjusts the shakes found in the pitch and yaw, allowing for creamy smooth panning shots.
Mode 3: Activates IS only during recording or capture to save battery. I am not sure why someone would use this mode, I’d love if you could tell me why.
Aperture Control Ring: Exclusive to video mode, this feature allows for smooth aperture adjustments during recording. It goes in 1/3rd increments from f2.8 all the way to f22.
One standout feature is its internal zoom mechanism, which keeps the lens length consistent and eliminates external protrusions—ideal for gimbal work.
Image Quality That Shines
The RF 24-105mm F2.8 produces sharp, vibrant images across its focal range. Its ability to maintain clarity and detail, even in challenging lighting conditions, sets it apart. Combined with Canon’s renowned color science, this lens ensures professional-grade results. You will not be disappointed by the sharpness, clarity, and colors that this lens captures.
Is This Lens for You?
So, who should consider investing in the Canon RF 24-105mm F2.8 L IS Z lens?
Ideal For:
Run-and-Gun Filmmakers: Its versatility and constant aperture make it a reliable all-in-one solution. Documentary filmmakers would absolutely love this lens.
Event Shooters: By eliminating the need to constantly change lenses, you won’t ever worry about missing a specific moment at an event. Great for wedding filmmakers and photographers.
Filmmakers Needing Low-Light Capability: The F2.8 aperture helps capture clean footage in dim environments. Although not as strong as dedicated prime lenses at f1.4, the versatility this lens provides makes this a decent choice.
Not Ideal For:
Travel Filmmakers: The size and weight might be cumbersome. Not to mention it’s size could make you a target for theft. I’d much rather use the Canon RF 24-105 f4 lens for travel.
Budget-Conscious Creators: This lens is not cheap. And if you aren’t making money with your camera it’s hard to recommend this to the average consumer. But of course, if you can swing it and you want the top of the line lens, then this lens is perfect.
Actionable Takeaways
Consider Your Shooting Style: If you need a versatile workhorse for professional projects, this lens delivers.
Test Before You Buy: Renting the lens, like I did, is a great way to see if it suits your needs.
Final Verdict
The Canon RF 24-105mm F2.8 L IS Z lens is a groundbreaking piece of gear. While it may not be the lightest or most affordable, its versatility, constant aperture, and stellar performance make it a worthy contender for professionals who need an all-in-one solution.
What do you think? Is this lens on your wishlist? Let me know in the comments.
